CD Reviews

The Claypool Lennon Delirium – The Monolith of Phobos (review)

Published

8 years ago

June 24, 2016

JJ Ulizio

The Monolith of Phobos by The Claypool Lennon Delirium

By JJ Ulizio:

June 3^rd saw the release of the debut album from The Claypool Lennon Delirium The Monolith of Phobos. I was excited upon learning of its existence. The paring of Primus’ main-man and bass player extraordinaire Les Claypool with Sean Lennon, offspring of the legendary Beatles guitarist and Ghost of a Saber Tooth Tiger mastermind should be interesting if nothing else.

It was definitely interesting that’s for sure. Knowing the various projects that both have been involved in and have appeared on over the years I didn’t know what to expect. However once I heard the first few bars, it clicked into my brain. Yes! I understood where they were at and this is what I expected. That might not make sense to some of you, but if you are familiar with either musician, especially Les Claypool, then you will understand.

After the two artists toured together recently, they jammed with each other a few times and discussed that both of their bands would be taking 2016 off. At that point they decided that they should work on something together. Les was quoted as saying “Next thing I know, he’s staying in my guesthouse, drinking my vino, and banging on my drums.” Judging by the music on the album itself, it sounds to me like much more than just vino was consumed during the writing and recording of the album that became The Monolith of Phobos.

This is an extremely psychedelic album from start to finish, complete with vocal harmonies that are at times reminiscent of Seans heritage, and yet at other times haunting. In the song “OxyContin Girl” it is very reminiscent of pop rock and psychedelic rock of the 1960’s. However there are some dark undertones in the lyrical content as they sing the lines “She was an OxyContin Girl in an heroin world, She didn’t know what to do, when she ran out of pills she scored on the street, but now her lips are turning blue”. The harmony and melody of the 60’s psychedelia it will get the songs stuck in your head and have you singing to yourself. As an added bonus it will have your coworkers looking strangely at you. Ok. Ok. Maybe that’s just me but my point still stands.

The album flows seamlessly and takes you on a trip (tee-hee), as the music weaves up and down through heavy distortion and synths while Les Claypool skillfully reminds the listener of why he has such a legendary reputation as a bass. The multi-instrumentalist Sean Lennon lays the percussion down like a spice on top of some great guitar playing that seems to make you float through the upper atmosphere and into outer space, or is it inner space? What was I doing? Oh right. Floating through songs like the title track, “Cricket and the Genie”, “Ohmerica”, and the instrumental album closer “There’s No Underwear in Space” you might wonder if you will ever circle back for atmospheric reentry.

As I stated before this album is an extremely psychedelic record and psychedelic rock is like a curry bowl, a fine whiskey, or LSD itself. An acquired taste and not for everyone, but that being said I think it’s a great album that showcases some amazing musicianship between two legendary musicians. If you’ve already acquired the taste, or wish to try, I say go for it.

They’ll be on tour for the summer and it will carry them through to October, hopefully I will be able to make it to a date on the tour.

For more info and tour dates go to http://theclaypoollennondelirium.com

About Author

JJ Ulizio

JJ has been a contributing writer and huge asset to Empire and Empire Extreme since the very begining. He is always digging for new bands and has a true heart and desire to see the bands grow and succeed.

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Related Topics:Ghost of a Saber Tooth Tiger Les Claypool Monolith of Phobos Primus Sean Lennon The Claypool Lennon Delirium

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CD Reviews

Phasers Engage: A deep dive into the debut album of inter-dimensional travelers and the music they make.

Published

1 week ago

April 14, 2024

Ron

“Departure Initiated” is the debut album of Phasers Engage. It’s a fun instrumental jam from outer space .

I’ve never been a huge fan of instrumental bands. There are a few I enjoy, like John 5 and the Creatures and Apocalyptica, and even with those bands, I can only listen to a little at a time or see them live. I feel like Phasers Engage would be a great band to see live.

There are parts of the album that I super dug, the heavier, darker, and spookier parts and the lighthearted, fun, and whimsical parts as well. This album reminds me a lot of Mr. Bungle, minus the vocals. The album has seven songs and feels like it conveys an interesting story via sounds and codes. I feel like if they would have added some vocals, even silly, nonsensical lyrics, it would have heightened the album much more, in my opinion.

The band is very good, and the instruments are played with precision, and you could tell the band was having fun making the album. It’s for sure an album to check out. If you’re into instrumental inter-dimensional sound waves and jams, then this album is right up your alley.

Check the band out on Facebook :https://www.facebook.com/PhasersEngage?mibextid=eQY6cl

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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CD Reviews

SCAREFIELD DEBUT ALBUM “A QUIET COUNTRY”.

Published

2 weeks ago

April 11, 2024

Ron

Newcomers SCAREFIELD just released their debut album, “A Quiet Country.” Inspired by 80s horror movies, I thought that this sounded right up my alley, also combining the love of thrash and heavy metal.

Opening up the album with “Ancient Evil,” this track sets the tone for the album. Thrashy guitars, killer drums, and power metal vocals.

The album has 11 tracks. Each track is delightfully titled with a horroresque feel. Songs like “Altar of Fear,” “Child of the Corn,” “Primitive Shadows,” and “Shiver”.

I really dug the album as a whole; I loved the concept, the artwork, and the guitars shred on this album. The shreds remind me of old-school metal, and in a good way. My favorite tracks would be “Altar of Fear,” “God of Terror,” “Always,” and I also loved their version of “House of the Rising Sun.”.

My only criticism of the album is that at times the vocals are too clean for me as a thrash/horror themed album, which is understandable since the singer, MARKUS KRISTOFFERSSON is from Sweden, and you know the Swedes love their power metal, but they also love to have their vocals a lot cleaner. That doesn’t mean that I didn’t enjoy the vocals; I actually love his voice, and at times throughout the album, it gets heavy and gnarly, which was amazing.

Overall, I think it’s a very successful album and is worthy of being in anybody’s collection who is a fan of this type of metal. I look forward to seeing what SCAREFIELD does in the future. Hopefully we can get an American tour, with the resurgence of the youth getting into this style of metal, I feel that American mosh pits will be going crazy for those fast guitars and drums. I would love to see them play with The Burning Witches.

Buy the album here: https://hypeddit.com/scarefield/aquietcountry

Check them out here: https://www.scarefield.com

About Author

Ron

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CD Reviews

Alestorm – Voyage of the Dead Marauder

Published

1 month ago

March 11, 2024

J. Scott Holland

Another solid (most likely plundered) offering from the pirate metal scalawags known in these parts as Alestorm. The five-song EP Voyage of the Dead Marauder washes up on these shore on March 22, 2024, via Napalm Records. This new effort is produced by Lasse Lammert of LSD-Studios, who has worked alongside genre mates Gloryhammer and Wind Rose.

With the new release, ALESTORM is “Scraping the (bottomless) Barrel” for the fifth time for what is their eighth album , following the international success of the previous Seventh Run of a Seventh Rum album that was released in June 2022.

If you’re an existing fan of their trademark pirate-style metal, then Voyage of the Dead Marauder is a batch of good new stuff. If you’re not a fan, well, maybe you should listen until you are. (This is how I learned to like country music, by the way.)

The first track is the title track and features German hurdy-gurdy musician Patty Gurty sharing vocal duties with vocalist and keytar player Christopher Bowes. The song is in the same vein as “Captain Morgan’s Revenge” from the previously mentioned Seventh Run of a Seventh Rum album. Patty sounds great, but I’m willing to bet she was the only sober one.

Apparently, you can be a pirate anywhere, including the desert and the Great White North. Alestorm proves this with the song “Uzbekistan” as they reminisce about the time they invaded the lands of shifting sands and ultimately turn the President of said land against them. Next up is the tale of a simple farmer who was forced to become a pirate due to governmental tyranny in “The Last Saskachewan Pirate.”

“Sea Shanty 2” is an instrumental offering and would fare well with a watering can full of tequila at one of Alestorm’s live shows (see the lengthy list below if you the need to fulfill this desire).

“Cock” is the last track, and I can hear all of you snickering jut from the title, but wait until you listen to it you immature bastards. The second time you hear it, you’ll be singing along to the tale of an enchanted dream about a Leprechaun who pulls out his schlong.

ALESTORM are:
Christopher Bowes – vocals, keytar
Gareth Murdock – bass
Mate Bodor – guitar
Peter Alcorn – drums
Elliot Vernon – keyboard

ALESTORM Live 2024:
UK & Ireland Tour 2024
w/ Korpiklaani & Heidevolk
21.02.24 UK – London / O2 Forum Kentish Town
22.02.24 UK – Norwich / LCR UEA
23.02.24 UK – Nottingham / Rock City
24.02.24 UK – Bournemouth / O2 Academy
25.02.24 UK – Bristol / O2 Academy
27.02.24 UK – Belfast / Limelight
28.02.24 UK – Dublin / Academy
29.02.24 UK – Cardiff / SU
01.03.24 UK – Birmingham / O2 Academy
02.03.24 UK – Oxford / O2 Academy
03.03.24 UK – Glasgow / O2 Academy
05.03.24 UK – Manchester / O2 Victoria Warehouse
06.03.24 UK – Liverpool / O2 Academy
07.03.24 UK – Leeds / O2 Academy
08.03.24 UK – Newcastle / NX
09.03.24 UK – London / O2 Forum Kentish Town

“Tour Of The Dead Marauder”
w/ Elvenking & Glyph
19.03.24 US – Cincinnati, OH / Bogart’s
20.03.24 US – Grand Rapids, MI / Elevation
22.03.24 CA – Toronto, ON / The Concert Hall
23.03.24 CA – Montreal, QC / MTELUS
24.03.24 US – New Haven, CT / Toad’s Place
26.03.24 US – Pittsburgh, PA / Stage AE
27.03.24 US – Detroit, MI / The Majestic
29.03.24 US – Milwaukee, WI / The Rave
30.03.24 US – Omaha, NE / The Admiral
02.04.24 CA – Winnipeg, MB / Park Theatre
03.04.24 CA – Saskatoon, SK / Coors Event Centre
05.04.24 CA – Edmonton, AB / Midway Music Hall
06.04.24 CA – Calgary, AB / The Palace Theatre
08.04.24 CA – Vancouver, BC / Commodore
09.04.23 US – Spokane, WA / Knitting Factory
10.04.24 US – Boise, ID / Knitting Factory
12.04.24 US – Sacramento, CA / Ace of Spades
13.04.24 US – Santa Ana, CA / The Observatory
15.04.24 US – Tucson, AZ / Rialto Theatre
16.04.24 US – Albuquerque, NM / Sunshine Theater
18.04.24 US – Oklahoma City, OK / Diamond
19.04.24 US – St. Louis, MO / Red Flag
20.04.24 US – Indianapolis, IN / Old National
21.04.24 US – Nashville, TN / Marathon

Festivals 2024
28.06.24 FI – Sulvilahti / Tuska
05.07.24 DE – Rock Harz / Ballenstedt
11.07.24 HU – Dunaújváros / Rockmaraton
12.07.24 CZ – Vizovice / Masters of Rock
13.07.24 AT – Area 53 / Leoben
14.07.24 NL – Pirate Metal Party / Helmond

About Author

J. Scott Holland

Scott is one of the newest additions to the Empire Extreme team of misfits. He is a printer by trade, who moves to the beat of his very own drum. He is also an avid cyclist and seeker of new music and bands,

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