CD Reviews

Deftones – Gore (review)

Published

8 years ago

June 1, 2016

JJ Ulizio

Deftones – Gore

By JJ Ulizio

On 04/08/2016 Sacramento, California based alt-metal pioneers Deftones released their 8^th full length studio album, and follow up to 2012’s Koi No Yokan, entitled simply Gore. This album has been noted with writing tensions between vocalist Chino Moreno, and lead guitarist Stephen Carpenter. Rolling Stone described it as Chino was “playing Morrissey to the guitarists of Meshuggah.” I wouldn’t quite go that far with it but you can hear the tensions and differences in the writing style through the progression of the album. To me the album almost sounds as if its arguing with itself on whether it wants to be more of an ambient sounding rock record with spacy guitars and haunting vocal melodies or the alt-metal that helped make the Deftones the household name they have become since their inception in the 1990’s. If that was a real fight then they decided to call it a draw because there are plenty of both elements on this album.

The album starts off with its lead single, “Prayers/Triangles.” Which takes you down the path of a standard Deftones radio hit with guitar feedback, ambient guitars, and Chino wailing over the chorus. The album quickly sets a trend similar to floating on the ocean, bringing you up and down. Songs like “Acid Hologram”, “Doomed User”, and the album’s title track “Gore” all give you the hard edged driving guitar riffs and rattling bass lines that keep them playing metal festivals. While tracks like “Hearts Wires”, “(L)mirl”, and “Xenon” seem to focus more on the ambient spacey guitar riffs, and Chino Moreno crooning through is signature haunting melodies.

My favorite track on the album, “Phantom Bride”, showcases the more melodic side of the band, which features Alice in Chains main man and lead guitarist Jerry Cantrell. The song starts with a subdued palm muted guitar riff. The song takes its time building up steam. It mainly focuses on the melody while that same riff keeps the rhythms of the song together, and an ambient type guitar slowly picks in the background adding an atmosphere similar to the spacey sounds that one would hear on a Pink Floyd album, except with Chino singing. A guitar solo more than midway through the song adds Mr. Cantrell’s touch to the song. It has a bluesy sounding style that leads back out into the chorus before building things up to the thick chunky metal riff. Then fading away to just cymbal hits that bring you directly into the album closeout with the musically choppy “Rubicon”

Is this a bad Deftones album? No. Is it their best? No. I don’t think it’s as good as its predecessor Koi No Yokan or albums like Diamond Eyes, White Pony, Around the Fur. I definitely think people who are already Deftones fans will more than likely enjoy it. I don’t think that it will be a good album to bring in new fans. Regardless of all that, it will be in my regular rotation for a while yet. So if you are a fan, check it out. If you’re not already a fan of the Deftones then ask your resident fan, everybody has one, what a good album to start with is.

About Author

JJ Ulizio

JJ has been a contributing writer and huge asset to Empire and Empire Extreme since the very begining. He is always digging for new bands and has a true heart and desire to see the bands grow and succeed.

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Related Topics:Alice in Chains Deftones Gore Jerry Cantrell

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CD Reviews

Phasers Engage: A deep dive into the debut album of inter-dimensional travelers and the music they make.

Published

1 week ago

April 14, 2024

Ron

“Departure Initiated” is the debut album of Phasers Engage. It’s a fun instrumental jam from outer space .

I’ve never been a huge fan of instrumental bands. There are a few I enjoy, like John 5 and the Creatures and Apocalyptica, and even with those bands, I can only listen to a little at a time or see them live. I feel like Phasers Engage would be a great band to see live.

There are parts of the album that I super dug, the heavier, darker, and spookier parts and the lighthearted, fun, and whimsical parts as well. This album reminds me a lot of Mr. Bungle, minus the vocals. The album has seven songs and feels like it conveys an interesting story via sounds and codes. I feel like if they would have added some vocals, even silly, nonsensical lyrics, it would have heightened the album much more, in my opinion.

The band is very good, and the instruments are played with precision, and you could tell the band was having fun making the album. It’s for sure an album to check out. If you’re into instrumental inter-dimensional sound waves and jams, then this album is right up your alley.

Check the band out on Facebook :https://www.facebook.com/PhasersEngage?mibextid=eQY6cl

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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CD Reviews

SCAREFIELD DEBUT ALBUM “A QUIET COUNTRY”.

Published

2 weeks ago

April 11, 2024

Ron

Newcomers SCAREFIELD just released their debut album, “A Quiet Country.” Inspired by 80s horror movies, I thought that this sounded right up my alley, also combining the love of thrash and heavy metal.

Opening up the album with “Ancient Evil,” this track sets the tone for the album. Thrashy guitars, killer drums, and power metal vocals.

The album has 11 tracks. Each track is delightfully titled with a horroresque feel. Songs like “Altar of Fear,” “Child of the Corn,” “Primitive Shadows,” and “Shiver”.

I really dug the album as a whole; I loved the concept, the artwork, and the guitars shred on this album. The shreds remind me of old-school metal, and in a good way. My favorite tracks would be “Altar of Fear,” “God of Terror,” “Always,” and I also loved their version of “House of the Rising Sun.”.

My only criticism of the album is that at times the vocals are too clean for me as a thrash/horror themed album, which is understandable since the singer, MARKUS KRISTOFFERSSON is from Sweden, and you know the Swedes love their power metal, but they also love to have their vocals a lot cleaner. That doesn’t mean that I didn’t enjoy the vocals; I actually love his voice, and at times throughout the album, it gets heavy and gnarly, which was amazing.

Overall, I think it’s a very successful album and is worthy of being in anybody’s collection who is a fan of this type of metal. I look forward to seeing what SCAREFIELD does in the future. Hopefully we can get an American tour, with the resurgence of the youth getting into this style of metal, I feel that American mosh pits will be going crazy for those fast guitars and drums. I would love to see them play with The Burning Witches.

Buy the album here: https://hypeddit.com/scarefield/aquietcountry

Check them out here: https://www.scarefield.com

About Author

Ron

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CD Reviews

Alestorm – Voyage of the Dead Marauder

Published

1 month ago

March 11, 2024

J. Scott Holland

Another solid (most likely plundered) offering from the pirate metal scalawags known in these parts as Alestorm. The five-song EP Voyage of the Dead Marauder washes up on these shore on March 22, 2024, via Napalm Records. This new effort is produced by Lasse Lammert of LSD-Studios, who has worked alongside genre mates Gloryhammer and Wind Rose.

With the new release, ALESTORM is “Scraping the (bottomless) Barrel” for the fifth time for what is their eighth album , following the international success of the previous Seventh Run of a Seventh Rum album that was released in June 2022.

If you’re an existing fan of their trademark pirate-style metal, then Voyage of the Dead Marauder is a batch of good new stuff. If you’re not a fan, well, maybe you should listen until you are. (This is how I learned to like country music, by the way.)

The first track is the title track and features German hurdy-gurdy musician Patty Gurty sharing vocal duties with vocalist and keytar player Christopher Bowes. The song is in the same vein as “Captain Morgan’s Revenge” from the previously mentioned Seventh Run of a Seventh Rum album. Patty sounds great, but I’m willing to bet she was the only sober one.

Apparently, you can be a pirate anywhere, including the desert and the Great White North. Alestorm proves this with the song “Uzbekistan” as they reminisce about the time they invaded the lands of shifting sands and ultimately turn the President of said land against them. Next up is the tale of a simple farmer who was forced to become a pirate due to governmental tyranny in “The Last Saskachewan Pirate.”

“Sea Shanty 2” is an instrumental offering and would fare well with a watering can full of tequila at one of Alestorm’s live shows (see the lengthy list below if you the need to fulfill this desire).

“Cock” is the last track, and I can hear all of you snickering jut from the title, but wait until you listen to it you immature bastards. The second time you hear it, you’ll be singing along to the tale of an enchanted dream about a Leprechaun who pulls out his schlong.

ALESTORM are:
Christopher Bowes – vocals, keytar
Gareth Murdock – bass
Mate Bodor – guitar
Peter Alcorn – drums
Elliot Vernon – keyboard

ALESTORM Live 2024:
UK & Ireland Tour 2024
w/ Korpiklaani & Heidevolk
21.02.24 UK – London / O2 Forum Kentish Town
22.02.24 UK – Norwich / LCR UEA
23.02.24 UK – Nottingham / Rock City
24.02.24 UK – Bournemouth / O2 Academy
25.02.24 UK – Bristol / O2 Academy
27.02.24 UK – Belfast / Limelight
28.02.24 UK – Dublin / Academy
29.02.24 UK – Cardiff / SU
01.03.24 UK – Birmingham / O2 Academy
02.03.24 UK – Oxford / O2 Academy
03.03.24 UK – Glasgow / O2 Academy
05.03.24 UK – Manchester / O2 Victoria Warehouse
06.03.24 UK – Liverpool / O2 Academy
07.03.24 UK – Leeds / O2 Academy
08.03.24 UK – Newcastle / NX
09.03.24 UK – London / O2 Forum Kentish Town

“Tour Of The Dead Marauder”
w/ Elvenking & Glyph
19.03.24 US – Cincinnati, OH / Bogart’s
20.03.24 US – Grand Rapids, MI / Elevation
22.03.24 CA – Toronto, ON / The Concert Hall
23.03.24 CA – Montreal, QC / MTELUS
24.03.24 US – New Haven, CT / Toad’s Place
26.03.24 US – Pittsburgh, PA / Stage AE
27.03.24 US – Detroit, MI / The Majestic
29.03.24 US – Milwaukee, WI / The Rave
30.03.24 US – Omaha, NE / The Admiral
02.04.24 CA – Winnipeg, MB / Park Theatre
03.04.24 CA – Saskatoon, SK / Coors Event Centre
05.04.24 CA – Edmonton, AB / Midway Music Hall
06.04.24 CA – Calgary, AB / The Palace Theatre
08.04.24 CA – Vancouver, BC / Commodore
09.04.23 US – Spokane, WA / Knitting Factory
10.04.24 US – Boise, ID / Knitting Factory
12.04.24 US – Sacramento, CA / Ace of Spades
13.04.24 US – Santa Ana, CA / The Observatory
15.04.24 US – Tucson, AZ / Rialto Theatre
16.04.24 US – Albuquerque, NM / Sunshine Theater
18.04.24 US – Oklahoma City, OK / Diamond
19.04.24 US – St. Louis, MO / Red Flag
20.04.24 US – Indianapolis, IN / Old National
21.04.24 US – Nashville, TN / Marathon

Festivals 2024
28.06.24 FI – Sulvilahti / Tuska
05.07.24 DE – Rock Harz / Ballenstedt
11.07.24 HU – Dunaújváros / Rockmaraton
12.07.24 CZ – Vizovice / Masters of Rock
13.07.24 AT – Area 53 / Leoben
14.07.24 NL – Pirate Metal Party / Helmond

About Author

J. Scott Holland

Scott is one of the newest additions to the Empire Extreme team of misfits. He is a printer by trade, who moves to the beat of his very own drum. He is also an avid cyclist and seeker of new music and bands,

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