Connect with us

Empire Extreme News Feed

Roundup From The Compound – November 28th, 2016

Avatar

Published

on

 

giphy[by http://giphy.com/shkedimoto]

EYEHATEGOD: Help Mike IX Live IX LivesIn December 2014, while on tour with Corrections House, Michael was hospitalized in Texas. The ER doctor told him that his liver was failing and he wouldn’t survive another year. He immediately returned to NOLA and consulted with one of the best liver specialists in the country. Although he was diagnosed with cirrhosis of the liver, this doctor gave him the hope and encouragement that he needed to put up the fight of his life. [MORE…]

FULL SCALE RIOT: empower Debut Album Streaming At New Noise Magazine; Record Out NOW On Eulogy Recordings Friday – New York City-area hardcore outfit FULL SCALE RIOT will release their debut full-length album, empower, through Eulogy Recordings this Black Friday, November 25th, delivering the band’s deep-rooted message of equality, unity, and uprising in times of distress. New Noise Magazine is now streaming the entire album ahead of its release. Offers FULL SCALE RIOT vocalist BJ Allen, “While the partisan media tells us to pick a side, all of our pockets are being picked, and all of our rights are being stripped. Now that it’s obvious we are being played, what are we going to do about it? The album is entitled empower because it is part of a bigger conversation. How will mankind empower itself?” [MORE…]

ALBEZ DUZ: Occult Doom Rock Collective Issues Wings Of Tzinacan Track-By-Track Synopsis At Decibel Magazine; Record Out NOW On Listenable Records – “…gothic-tinged traditional doom metal alchemy, steeped in Aztec mysticism and obscure occult references.” – Team Rock Occult doom rock collective ALBEZ DUZ released their Wings Of Tzinacan full-length in North America via Listenable Records late last month. In commemoration of the release, today the band, in cooperation with Decibel Magazine, issues a thorough track-by-track synopsis alongside a full stream of the record. [MORE…]

LO-PAN: Limited-Edition In Tensions EP Due January 13th, 2017 On Aqualamb Records; Video Teaser Posted – LO-PAN’s fifth release, In Tensions, is a new five-song EP that sees the seasoned Columbus, Ohio unit continuing their blistering trajectory, building on the infectious, riff-filled grooves of their 2014 full-length, Colossus. Their first release on Brooklyn’s Aqualamb Records (Husbandry, Black Black Black, Godmaker et al), In Tensions also marks the next stage in the band’s ever-evolving direction — anchored by the lead single “Go West,” an optimistic, sun-kissed, open highway anthem. Regarding the song, singer Jeff Martin elaborates, “It’s about setting out to accomplish a goal and then having that goal change along the way. And ultimately realizing the new goal was better than what you wanted in the first place.” A perfect rallying cry for action in uncertain times, Martin continues, “it’s also about getting out and doing something…. So keep moving forward. Keeping progressing. Keep evolving.” [MORE…]

SYK: Italian Avant Extreme Metal Unit Premieres New Track At Decibel; I-Optikon Preorders Available – I-Optikon is the forthcoming new full-length from Italy-based avant extreme metal faction SYK (pronounced “sick”) set for release next month via Philip H. Anselmo’s own Housecore Records. Produced by Anselmo (Down, Pantera, Scour, Philip H. Anselmo & The Illegals, Arson Anthem etc.) and Stephen Berrigan (Down, Philip H. Anselmo & The Illegals, Eyehategod, Haarp, Classhole, etc.), I-Optikon features the debut appearances of recently recruited second guitarist Gianluca Ferro who’s collaborated with Andy Timmons, Kiko Loureiro, Guthrie Govan, Jeff Loomis and more. Fans of Meshuggah, Crisis, Diamanda Galas, Starkweather, and general planetary demise, pay heed. [MORE…]

NO LIGHT: Gemini By Copenhagen Alternative/Rock Outfit Sees Release Through Indisciplinarian; LP Now Streaming At Treble – Copenhagen, Denmark-based alternative/indie rock outfit, NO LIGHT, will issue their debut album Gemini this Friday through Indisciplinarian. Advancing Gemini‘s unveiling, Treble is hosting a stream of the entire record early. Issues NO LIGHT of Gemini, “The record was recorded in one intense day, capturing the looseness and the honesty of the songs which were all written over a short period after the band’s first EP. Usually when you take a long time contemplating the songs, but we decided to let go of our need for control and just go with it.” [MORE…]

SPAZZ: Tankcrimes Records To Reissue Sweatin’ 2: Deported Live Gorilla From Legendary Hardcore Punk/Power violence Faction Next Month; Four Remastered Tracks Streaming At Clrvynt – “There is no band that was more emblematic of powerviolence — the grit, the brutality, the jaw-dropping skill and subversive humor — than the legendary SPAZZ.” — Clrvynt Following their reissue treatment of Sweatin’ To The Oldies and Sweatin’ 3: Skatin’, Satan & Katon from iconic, now-defunct hardcore punk/powerviolence trio, SPAZZ, this past Spring, the ear bleeders at Tankcrimes Records are pleased to bring fans Sweatin’ 2: Deported Live Gorilla just in time for the holidays! [MORE…]

SEE?: Metal Insider Debuts Lead Track From Lighteninging On Your Thames; Band Merges Current/Former Members Of Netherlands, Spacehog, Bangladeafy, And More – As Nefarious Industries prepares for the late December release of Lighteninging On Your Thames — the new album from bewilderingly eccentric collective, SEE? — the lead track from this warped auditory beating has been issued through Metal Insider. With SEE?’s members currently/previously collectively hailing from a wide net of bands including Bangladeafy, Pseudo/Sentai, Seabrook Power Plant, Needle Driver, Die Trommel Fatale, Netherlands, Cibo Matto, Spacehog, Joan as Police Woman, Bassoon, Sugarlife, and others, within the “boundaries” of Lighteninging On Your Thames listeners will be raked over the burnt remnants of reality as synthtwang, djentpop, progwank, and manglemetal fight to dominate the soundtrack. [MORE…]

THE POWER OF THE RIFF Pre-Party With Excel, Despise You, Deth Crux Added To Los Angeles-Based Event – As the December Los Angeles-based THE POWER OF THE RIFF closes in, the coordinators of the gathering have added an additional day of mayhem to the event, with a pre-party show leading off the festivities. The new pre-party for THE POWER OF THE RIFF will take place Friday, December 16th, with three new Southern California acts confirmed for the shredding. Venice crossover icons EXCEL will be headlining the show, in support of the recent reissue of their blazing second album, The Joke’s On You. Also added to the party are Inglewood powerviolence squad DESPISE YOU as well as local Los Angeles death-punk sect DETH CRUX. [MORE…]

BATTLECROSS: Winter Warriors Tour Underway– Following their recent North American journey with Soilwork, Unearth, Darkness Divided, and labelmates Wovenwar, Motor City metal legion BATTLECROSS will close 2016 with their annual headlining run, the third installment of the Winter Warriors Tour, which rolls from November 25th through December 17th. This year, support will be provided by Metal Blade labelmates Allegaeon and Necromancing The Stone. [MORE…]

MOS GENERATOR Kick Off US Tour With Castle; Guitarist/Vocalist Issues Top Ten Hard Rock/Heavy Metal Albums – Washington state-based rock unit MOS GENERATOR will kick off a short US tour later this week with Castle. The ten-date West Coast excursion will commence on November 25th in Seattle, Washington and close December 4th in Los Angeles, California. The band’s latest journey follows their recent month-long jaunt through Europe. See all confirmed dates below. In related news, Reed recently discussed the top ten hard rock and heavy metal releases that shaped his musical foundation[MORE…]

COKEGOAT: Chicago Death Doom Sextet Unveils “The Burner” From Forthcoming Drugs And Animals Full-Length; Preorders Available – This Friday, Chicago death doom sextet COKEGOAT will unleash their anticipated Drugs And Animals full-length digitally and on 180-gram 12” vinyl. Engineered, produced, and mixed by Andy Nelson (Weekend Nachos, Like Rats) at Bricktop Recording and mastered by Carl Saff (Unsane, Red Fang, Earthless et al) at Saff Mastering, the post/doom/death/heavy metal collective layers Jeff Wojtysiak, Ed Nudd, and Rebekah Brown on guitars, synths and vocals, while Chase Bentley, Tim Baldwin, and Jordan Schultz add mass with guitar, bass and drums respectively. Six members strong. Six years in the making. In advance of its release, today COKEGOAT unveils “The Burner.” “Our drummer Jordan kept asking to write a burner, so we did,” relays the band. “It was written while Jordan wasn’t there. He got what he asked for. It seems like he likes the exercise.” [MORE…]

CASTLE: Occult Rock Alchemists Kick Off US West Coast Tour With Mos Generator – Fresh off a month-long European takeover, occult rock alchemists/perpetual road warriors CASTLE will take to the streets again with Mos Generator. The ten-date West Coast excursion will commence on November 25th in Seattle, Washington and close December 4th in Los Angeles, California. From there the band will perform five more shows in Japan to close out a year of non-stop touring. See confirmed dates below. [MORE…]

LORD OF WAR: California Death Metallers Begin The Age Of Heresy US Headlining Tour; Teaser Video Posted – California death metallers LORD OF WAR will embark upon a West Coast US headlining tour this Friday. The Age Of Heresy Tour sees the band rupter the stages of sixteen venues from November 25th through December 12th and follows the recent Rise Above The Empire European tour with Vader, Hate Eternal, Threat Signal, and Apophys. See all confirmed dates below and check out a teaser video below. [MORE…]

BLACK HOLE GENERATOR: Black Metal Eccentrics Led By Vulture Industries’ Bjørnar E. Nilsen Stream A Requiem For Terra In Full At New Noise; Record Out NOW In North America “Embrace the nuclear chaos, bid farewell to Terra.” – Ave Noctum A Requiem For Terra is the forthcoming new full-length from BLACK HOLE GENERATOR. Led by Vulture Industries’ mainman Bjørnar E. Nilse, and set to drop in North America via Dark Essence Records, the seven-track offering shifts between the bleak aural landscapes of a desolate world and the frantic torrent of the abyss. From the brooding, doom-laden opener of  “A Requiem For Terra,” and the mesmerizing riffing of “Moloch” to the catchy “Beneath A Chemical Sky” and the fierce “Emerging Pantheon,” A Requiem For Terra boasts Nilsen’s distinctive and highly charged vocals and enough stand-out riffing to satisfy the souls of any guitar aficionado, with Arve Isdal (Enslaved, Audrey Horne) on guitars, Gjermund Fredheim (Taake, Orkan) performing lead guitars on three of the tracks, and additional guitars by Dag Terje Andersen. [MORE…]

WAILIN STORMS Issues Official Video For “Ribcage Fireplace” Via Cvlt Nation Premiere; Second LP Coming In 2017 – Durham, North Carolina dark punk outfit WAILIN STORMS has just released an official video for “Ribcage Fireplace.” The track hails from the band’s ill-omened debut LP, One Foot In The Flesh Grave, and its video is set free as the band celebrates the one-year anniversary of the album’s release through Magic Bullet Records last year. The new “Ribcage Fireplace” video depicts the gritty, ominous, track with an appropriately dark visual backdrop, the clip filmed and directed by Richard Lukacs of Crone Cult Pictures. Cvlt Nation has taken on the task of premiering the video, the trusted blog offering of the cut, “it has everything the track does – creepy occult atmospheres, sex beats and visceral howls… Hit play below and let WAILIN STORMS creep under your skin…” [MORE…]

MARTYRDÖD Now Streaming New Album, List; Record Out NOW On Southern LordMARTYRDÖD, the unparalleled Swedish giants of modern metallic d-beat, are streaming their new full-length List, via Team Rock’s Subterranea days before its official release via Southern Lord this Friday. Behold MARTYRDÖD’s crushing full-length, List RIGHT HERE. Also view the official video for “Harmagedon” by Jimmy Johansson HERE. MARTYRDÖD are central figures in the modern era of the international crust community – in no small part due to their members’ links to other exemplary bands such as Skitsystem and Agrimonia – and over the years, their powerful allure has resonated with listeners across the spectrum of heavy, enamored by their bleak outlook and scorching melodies. For fifteen years, the members of MARTYRDÖD have honed their craft to a level of mastery, and it shows – List is quite possibly the most refined record to slip in to their furious, spiky discography, and it doesn’t let up for a moment. The combination of crisp Scandinavian metal distortion and intricate, folk-like guitar leads contribute to a record that feels like one for the ages — very much like the fearsome, In Extremis. List is an artistic highpoint! [MORE…]

WRVTH: Atmospheric Technical Death Metal Collective Issues “Cease To Exist” Video At Decibel – Atmospheric tech death collective WRVTH today issues the confounding video accompaniment to the track “Cease To Exist” via Decibel Magazine. The tune comes by way of the band’s self-titled full-length release via Unique Leader RecordsElaborates bassist Taylor Preston of the fiery clip, “We decided to work with Cory Davis of Yellowbox Films again for ‘Cease To Exist,’ as we loved the work he did for our music video ‘Malaise.’ This song is the closing track to our self-titled release and it is fitting as it is also our closer for the year, musically speaking. As far as the creation goes, we wrote every part of the music to fit the lyrics. We put all our heads together to form something that we all felt was as fitting as it was meaningful. [MORE…]

EARSPLIT DISTRO: Be sure to raid EARSPLIT DISTRO for all titles from The Compound Recs including CLASSHOLE (featuring members of Eyehategod, Mountain Of Wizard, haarp, and more), DIE CHOKING, LAE (featuring Steve Austin from Today Is The Day), GRIDFAILURE, GODHUNTER, and more, in addition to hundreds of imported/distributed titles from Selfmadegod Records, Supernatural Cat, 20 Buck Spin, Indisciplinarian, Exile On Mainstream, and many others. [GO HERE]

Contact liz@earsplitcompound.com, dave@earsplitcompound.com or pr@earsplitcompound.com for interviews with the above artists, or bands listed below with current and/or pending tour dates; keep up to date on all Earsplit-related tour offensives at our Live Actions page HERE.

ABIGAIL WILLIAMS ALLEGAEON ARMORED SAINT – BATTLECROSS BLACK ANVIL CASTLE – COGNITIVE – CRYPT ROT – DIE CHOKING – DYSRHYTMIA EXCEL EYE – FULL SCALE RIOTGHOUL – GOATWHORE – HALSHUG – KHEMMIS LORD OF WAR – MARTYRDÖD – MOS GENERATOR – NEUROSIS – NO LIGHT OKKULTOKRATI – PAIN PG. LOST – POWER TRIP – THE POWER OF THE RIFF – PSALM ZERO – REALITY SLAP – RISK RELAY – THE OMINOUS CIRCLE – ULCERATE – VOID OMNIA – WAILIN STORMS – WOLVES IN THE THRONE ROOM

http://www.earsplitcompound.com
http://www.facebook.com/earsplitpr
http://www.twitter.com/EarsplitPR
http://www.soundcloud.com/earsplit
http://www.instagram.com/earsplitpr
http://www.earsplitdistro.com
http://www.thecompoundrecs.com
http://www.facebook.com/thecompoundrecs
http://www.thecompound.bandcamp.com


{$excerpt:n}
Source: Earsplit
Roundup From The Compound – November 28th, 2016
@Empireextreme1 #EmpireExtreme

About Author

CD Reviews

Ministry – HOPIUMFORTHEMASSES

Avatar

Published

on

As we near the collapse of mankind and the imminent doom of our political system, a perfect stage has been set for the outspoken rebels to flood the airwaves with dissident upheaval bathed in musical bliss. With the end looming, no greater landscape could welcome the reemergence of the enigmatic Al Jourgensen and company with their latest release, HOPIUMFORTHEMASSES, via Nuclear Blast Records. Scheduled for a March 1st 2024 release, Uncle Al, along with guitarist Cesar Soto, Paul D’Amour, formerly of TOOL, on bass, John Bechdel on keys, Roy Mayorga (ex-STONE SOUR) on drums, and newly added guitarist Monte Pittman, form the current incarnation of the long-lived Ministry.

AFGHAN_WHIGS_METRO_2022

This album is an open-book commentary on our American society at large, bathed in slow-burn angst and distortion injected with punk rock/thrash riffs and samples galore.

Within the opening seconds of track one, a female voice proclaims, “What was once forbidden becomes fringe, and what was once fringe becomes mainstream.” Soon Al’s vocals take over with a distorted and effect heavy declaration of “horny little boys filled with hormones and hate, waging war on women ‘’cause they can’t get a date,” thus laying the groundwork for the entire album. As “B.D.E.” (Big Dick Energy) continues, a heavy yet simplistic guitar riff drives the song forward while increasing the energy level and tempo. Al’s vocals continue with his immediate, recognizable attitude and tone, stating, “No one can justify the toxic behavior.”

“Goddamn White Trash” is perhaps the most accessible and rythematic song on the release. It has hints of the Psalm 69 days of the band. Chants of “USA, USA” ring out along side screeching guitar noise reminiscent of Mike Scaccia’s playing style.

Track three is titled “Just Stop Oil,” and it dives into yet another realm of political advocacy. Jourgensen delivers, “Dehumanization at a cellular level. Policy set by the corporate devils, There must be resistance, we cannot be silenced, There is the existence of possible violence” in a growled whisper.

On the track “Aryan Embarrassment,”  we are treated to a none-more-fitting guest appearance from what I believe is activist and Dead Kennedys front man Jello Biafra, who delivers a rap-style series of vocal lines backed by a driving rhythm. Jello wails, “How on Earth did all this happen? Plagues of militantly stupid” Followed by “Scamming on the punk scene.  Oi, oi, oi. Ain’t proud of you boys at all.”

Another standout track is “New Religion” which starts with a classic industrial riff and buries itself in the repetitive, slow-burn heaviness that has become the Ministry standard as of late. Followed by “It’s Not Pretty,” which opens as a haunting acoustic piece that I imagine being set in a post apocalyptic landscape with the reverberating lyrics “It’s not pretty. This is the end of the world to me. This is the end of society.”

“Cult of Suffering” strays from the format of the balance of the album and could be firmly placed on an Alabama 3 album, and it may feel at home on a Surgical Meth Machine release.

Rounding out the album is a little ditty called “Ricky’s Hand.” This is a synth pop throwback to the early days of Ministry and leaves us longtime fans eager to hear the longtime teased rerecording of some of the very early Ministry material. This track has a Devo, Information Society, and even Depeche Mode feel to it and is a perfect bookend to a solid release from an iconic band.

Ministry will be on tour throughout the summer with Rob Zombie, Alice Cooper and Helmet.

About Author

Continue Reading

Concert Reviews

Bloodywood: Concert Review Pittsburgh, PA

Avatar

Published

on

In a realm of modern music overflowing with musical genres, there are few bands that possess a unique sonic force that defies categorization while leaving listeners spellbound and yearning for more. One such band is Bloodywood. They are a musical force that blends cultural heritage with a relentless fusion of metal, hip-hop, and traditional Indian rhythms.

As a band, they are carving a distinctive path and leaving an indelible mark on the modern musical landscape. Their raw energy, cultural fusion, and a fearless spirit of rebellion is a testament to the transformative power of music, transcending boundaries and uniting people from all corners of the globe. With their infectious energy and thought-provoking lyrics, the band has built an ardent following, igniting a revolution that stretches far beyond the realm of music or the shores of any country.

Born in the vibrant streets of New Delhi, India, in 2016, Bloodywood showcases their unwavering commitment to pushing boundaries, both musically and socially, as they fearlessly tackle pressing issues and ignite conversations.

The sonic odyssey of Bloodywood graced the stage of the Roxian Theater in McKees Rocks, Pennsylvania, which is nestled in the shadow of Pittsburgh only a short distance down the Ohio River from the infamous Steel City.

The show opened with a blast of energy from the British duo WARGASM, whose stage presence was undeniable. Sam Matlock, Milkie Way, and company tore through an unadulterated set of nu-metal tracks tinged with punk and electronica that included “Super Fiend”, “D.R.I.L.D.O”, and “Rage All Over”. They followed up with the video sensation “Fukstar” and wound down the set with some crowd surfing and a cover of N*E*R*D’s “Lapdance” and closed out the set with the track “Spit”.

After a brief break in the mayhem, Vended made the stage rumble to life. Their agro-metal induced a great deal of similarity to early Slipknot, and that is not surprising given that frontman Griffen Taylor is the son of Slipknot’s Corey Taylor and Simon Crahan is the son of percussionist Shawn ‘Clown’ Crahan. The band sounded tight and featured competent song composition; however, the vocalist needed to learn how to work the stage. It was as if his shoes were nailed to the floor at center stage.

As stage lighting flickered to life, the crowd prepared to be immersed in a symphony of cultural fusion, electrifying riffs, and unapologetic lyrics. We all knew that we were about to experience something quite special. As the sonic saga began, drummer Vishesh Singh sat behind his kit, awash in blue and purple lights, as the anticipation grew more intense. The intro track for “Gaddaar” echoed throughout the theater before the bombastic bass, gnarly guitar riffs, and the thump of the drums shook the walls as the entire band burst onto the stage to metaphorically say, “Ladies and gentlemen, welcome to an electrifying evening filled with raw energy enshrined in a mesmerizing tapestry of sound that defies conventions.”

The crowd began losing themselves in the pounding intensity, their bodies moving in sync with each thunderous beat as Sarthak Pahwa wailed away on his dhol. The band seamlessly migrates from the thunderous “”Gaddaar” to “BSDK.exe” from their most recent release Rakshak that couples a more hip-hop vibe on the verses with a crushing guitar rhythm from Karan Katiyar throughout the rest of the track.

Adorned in their fusion of metal attire and traditional Indian clothing, twin vocalists Jayant Bhadula (vocals and growls) and Raoul Kerr (rap vocals) commanded a powerful presence as they ran through “Aaj” with its hypnotic flute licks and downright brutal lead vocals. The five minute long song pushed the audience into heightened frenzy before slapping them across the chin with “Dana Dan”. Which had Raoul Kerr rapping/screaming “I put a fist through the face of a rapist and yeah, I taped this. For the viewing pleasure of the nameless faces he disgraces.”

Up next was the more mellow and chill track “Jee Veerey” that featured more of Karan Katiyar’s enigmatic flute playing along with a more melodic yet still intense vocal delivery from Jayant Bhadula as he sang in his native tongue.

The track “Zanjeero Se” was followed by “Machi Bhasad (Expect a Riot)” which truly showcased the rhythmic prowess of drummer Vishesh Singh and dhol master Sarthak Pahwa. It was so enthralling to watch Sarthak perform on such a simplistic instrument and to make it so vibrant and energetic. His playing transports Bloodywood’s music to a completely different level.

As the set reached its crescendo, it was obvious that the sweat-drenched band had poured their hearts and souls into every note. Wrapping up their set was the sing-along inducing “Ari Ari” that left the crowd breathless and drenched in the passion that radiated from the stage.

But… There is more. As an encore, the band jumps back in to the opening track “Gaddaar” thus cranking up the mosh-pit’s intensity to eleven, causing every person down front to expel every ounce of remaining energy from their bodies.

It was incredibly refreshing to see a band that, in some magical way is able to unite people regardless of age, background, or nationality. To see people connected by their love of the music and a band. The shared experience created an atmosphere of camaraderie and acceptance, where strangers become friends, and barriers dissolve in the face of the music.

Unfortunately, this was the last stop on Bloodywood’s North American tour, save some festival dates. Hopefully, they will be returning to the states soon. If you have the opportunity to see them live, do not sleep on it. I promise you will not be disappointed.

In the meantime you can get more info at: www.bloodywood.net/

About Author

Continue Reading

CD Reviews

Cattle Decapitation Terrasite Album Review

JJ Ulizio

Published

on

Terrasite by Cattle Decapitation

Today, 05/12/2023, saw the release of the 8th studio album from San Diego’s own Cattle Decapitation. The follow up to 2019s Death Atlas, Terrasite shows how a band can grow and evolve while staying true to their roots. Starting as a grind band in the late 90s and with relentless touring and continual releases this album shows them further building upon elements of their previous albums.

The album has great production. The copy I used primarily for my review is the vinyl version which is 45 RPM and it sounds great. In particular, I think the drum production is particularly well executed. A lot of times with death metal the kick drum is either too “bassy” so it’s difficult to hear or it’s the other way and you can hear all the hits without the bass tone. This album is a great balance of the two. You can hear clearly how fast drummer, Dave McGraw, is going without losing the “thump”. The blast beats alone will rattle the brain. The guitars are grimy and dirty with some blistering leads. The bass rattles while still having a solid low end. You can really hear it in songs like “Solastalgia” which has a small bass lead in it which I didn’t see coming and was pulled off great.

The vocals, I feel compelled to say that Travis Ryan has to be one of the most underrated and versatile vocalists in metal. Highs that make the ears bleed, lows that are gurgling, wet and gross sounding. Harsh singing reminiscent of 80s thrash bands, and clean singing that are almost, but not quite, reminiscent of the late Peter Steele from Type O Negative.

Lyrically they stay on brand ranging from the end of humanity, apocalyptic themes, and mistreating humans the same way humans mistreat animals. Very dark and grotesque subject matter. When asked about the lyrics to this album Ryan states “I wanted to do the 180° opposite of Death Atlas – I wanted this to take place in the daylight. I’ve always found daytime horror to be really unsettling so I wanted to make sure what was going on on the cover took place in the light of day, which also finds its place within the lyrics.”

Tracks like “A Photic Doom” showcase traditional style death metal guitar riffing, with elements of tech death and slam. “Dead End Residents” leans into some of the darker ends of thrash metal and is reminiscent of bands like Slayer. “Scourge of the Offspring” shows an impressive command of melody without sacrificing the grime that covers the album while almost coming off as anthemic.

The album closes with the ten minute epic “Just Another Body” which begins with a piano melody that would be at home in a late 70s era horror movie while building into something that’s not quite death, not quite thrash, and not quite grind. Ryan uses the full range of his voice while there are symphonics layered in the background to keep the melody from being lost while still playing with grind based riffs and blast beats.

Overall if you’re looking for a strong contender for death metal album of the year I will highly recommend this. As of this writing I haven’t been able to stop listening to it for three days now. The album currently available on all the usual streaming platforms and physical copies can be purchased here. (www.indiemerch.com/cattledecap)

About Author

Continue Reading

Trending

%d bloggers like this: