CD Reviews

Source – Return To Nothing (review)

Published

8 years ago

September 21, 2016

Anthony Bernardi

Source – Return To Nothing (review)

By Anthony Bernardi:

On September 23^rd 2016 three guys from Boulder, Colorado will release their debut album Return to Nothing. Who is that you ask? Well I am going to give you one word…

Source…

It was nearly three years ago that Ben Gleason, Dan Crisafulli, and Georges Octobous were flung together by the universe. Over those years they forged the sound that would change their lives forever.

I had the chance to meet these talented young men a few months ago in an alley in Minneapolis Minnesota behind the Skyway Theater. Now don’t get the wrong Idea. I was there covering a show. As fate would have we struck up a conversation and they hooked me up with a copy of their yet to be released album Return to Nothing.

As I finished up my duties at the show and recalled our conversation about the band, I couldn’t help but anticipate what the CD they had given me would sound like. Once I was in my car and on my way home I slid the CD in the player and let the music pull me in as I drove home.

The very first track “Forgiveness” which is one of several tracks on the album that clocks in at over eight minutes grabbed me and totally immersed me in the pure emotions emitted from both the music and the lyrics. The progressive sound highlighted by uncommon time signatures is reminiscent of the style of Tool. These similarities are exemplified with the mid-heavy bass tone and the longing-style vocals. This track and the entire album for that matter holds a level passion and excitement that leaves the listener pondering your own life and existence as Ben’s lyrical essence bounces around in your head.

Once entirely engrossed it the ambience and drive of the album you helplessly tumble into the second track, “Memories of Yesterday”. This track whirls with anticipation as it deposits you amid the memories of another period of your life.

Once the days of your past have been reconciled, the album rolls into “The Essence” shadowed by a diminutive track entitled “The Word Source”, featuring a series of samples from the spiritual guru Bentinho Massaro as he explains the origins or source.

“There is life in the darkness and the day will dawn again” exclaims Ben in “Return to Nothing”. While drummer Georges describes the track “Compliance” as the “most angry and exciting to play”.

Track seven is the most subdued track on the album and also the shortest piece. It is an ambient selection driven by acoustic guitar and a soft lead riff. “Consumed” drifts off as what is my favorite track “The Serpent” begins with a one-two punch. The track flinches to life with a bit of added guitar crunch and choppy rhythms delivered by both the bass and drums. “The Serpent” is one of those tracks that just keep you listening and feeling a little let down as it finally comes to a close.

When asked to pick a favorite track for the album, both Ben and Dan agree that closing track “Quadrant” was at the top of their lists.
Ben: “Quadrant”, that song means a lot to me! It’s about forgiving my parents for being imperfect along with thanking them for showing me what it means to be human. With all the joy, the pain, the suffering and the beauty!

Dan: I like it most because of the guitar riffs and the composition. The bass really shines through in different ways both stylistically and compositionally. It definitely makes my head bang a lot!

Music can tame the savage beast or even start wars. On the converse music is able to make you feel alive, angry, thankful, and even help you with hard choices life throws your way. Personally I turn to music for entertainment, motivation, and relaxation.

This debut release by Source has been a privilege to listen to from beginning to end. The songs are long and involved, yet somehow leave you wanting more. There is a great balance of progressive metal and as Dan says “Life Metal” (sorry had to do it). This is the perfect album to help you find your balance here in this plane of existence as we contemplate life and what it means to Return to Nothing.

About Author

Anthony Bernardi

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CD Reviews

Phasers Engage: A deep dive into the debut album of inter-dimensional travelers and the music they make.

Published

2 weeks ago

April 14, 2024

Ron

“Departure Initiated” is the debut album of Phasers Engage. It’s a fun instrumental jam from outer space .

I’ve never been a huge fan of instrumental bands. There are a few I enjoy, like John 5 and the Creatures and Apocalyptica, and even with those bands, I can only listen to a little at a time or see them live. I feel like Phasers Engage would be a great band to see live.

There are parts of the album that I super dug, the heavier, darker, and spookier parts and the lighthearted, fun, and whimsical parts as well. This album reminds me a lot of Mr. Bungle, minus the vocals. The album has seven songs and feels like it conveys an interesting story via sounds and codes. I feel like if they would have added some vocals, even silly, nonsensical lyrics, it would have heightened the album much more, in my opinion.

The band is very good, and the instruments are played with precision, and you could tell the band was having fun making the album. It’s for sure an album to check out. If you’re into instrumental inter-dimensional sound waves and jams, then this album is right up your alley.

Check the band out on Facebook :https://www.facebook.com/PhasersEngage?mibextid=eQY6cl

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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CD Reviews

SCAREFIELD DEBUT ALBUM “A QUIET COUNTRY”.

Published

2 weeks ago

April 11, 2024

Ron

Newcomers SCAREFIELD just released their debut album, “A Quiet Country.” Inspired by 80s horror movies, I thought that this sounded right up my alley, also combining the love of thrash and heavy metal.

Opening up the album with “Ancient Evil,” this track sets the tone for the album. Thrashy guitars, killer drums, and power metal vocals.

The album has 11 tracks. Each track is delightfully titled with a horroresque feel. Songs like “Altar of Fear,” “Child of the Corn,” “Primitive Shadows,” and “Shiver”.

I really dug the album as a whole; I loved the concept, the artwork, and the guitars shred on this album. The shreds remind me of old-school metal, and in a good way. My favorite tracks would be “Altar of Fear,” “God of Terror,” “Always,” and I also loved their version of “House of the Rising Sun.”.

My only criticism of the album is that at times the vocals are too clean for me as a thrash/horror themed album, which is understandable since the singer, MARKUS KRISTOFFERSSON is from Sweden, and you know the Swedes love their power metal, but they also love to have their vocals a lot cleaner. That doesn’t mean that I didn’t enjoy the vocals; I actually love his voice, and at times throughout the album, it gets heavy and gnarly, which was amazing.

Overall, I think it’s a very successful album and is worthy of being in anybody’s collection who is a fan of this type of metal. I look forward to seeing what SCAREFIELD does in the future. Hopefully we can get an American tour, with the resurgence of the youth getting into this style of metal, I feel that American mosh pits will be going crazy for those fast guitars and drums. I would love to see them play with The Burning Witches.

Buy the album here: https://hypeddit.com/scarefield/aquietcountry

Check them out here: https://www.scarefield.com

About Author

Ron

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CD Reviews

Alestorm – Voyage of the Dead Marauder

Published

2 months ago

March 11, 2024

J. Scott Holland

Another solid (most likely plundered) offering from the pirate metal scalawags known in these parts as Alestorm. The five-song EP Voyage of the Dead Marauder washes up on these shore on March 22, 2024, via Napalm Records. This new effort is produced by Lasse Lammert of LSD-Studios, who has worked alongside genre mates Gloryhammer and Wind Rose.

With the new release, ALESTORM is “Scraping the (bottomless) Barrel” for the fifth time for what is their eighth album , following the international success of the previous Seventh Run of a Seventh Rum album that was released in June 2022.

If you’re an existing fan of their trademark pirate-style metal, then Voyage of the Dead Marauder is a batch of good new stuff. If you’re not a fan, well, maybe you should listen until you are. (This is how I learned to like country music, by the way.)

The first track is the title track and features German hurdy-gurdy musician Patty Gurty sharing vocal duties with vocalist and keytar player Christopher Bowes. The song is in the same vein as “Captain Morgan’s Revenge” from the previously mentioned Seventh Run of a Seventh Rum album. Patty sounds great, but I’m willing to bet she was the only sober one.

Apparently, you can be a pirate anywhere, including the desert and the Great White North. Alestorm proves this with the song “Uzbekistan” as they reminisce about the time they invaded the lands of shifting sands and ultimately turn the President of said land against them. Next up is the tale of a simple farmer who was forced to become a pirate due to governmental tyranny in “The Last Saskachewan Pirate.”

“Sea Shanty 2” is an instrumental offering and would fare well with a watering can full of tequila at one of Alestorm’s live shows (see the lengthy list below if you the need to fulfill this desire).

“Cock” is the last track, and I can hear all of you snickering jut from the title, but wait until you listen to it you immature bastards. The second time you hear it, you’ll be singing along to the tale of an enchanted dream about a Leprechaun who pulls out his schlong.

ALESTORM are:
Christopher Bowes – vocals, keytar
Gareth Murdock – bass
Mate Bodor – guitar
Peter Alcorn – drums
Elliot Vernon – keyboard

ALESTORM Live 2024:
UK & Ireland Tour 2024
w/ Korpiklaani & Heidevolk
21.02.24 UK – London / O2 Forum Kentish Town
22.02.24 UK – Norwich / LCR UEA
23.02.24 UK – Nottingham / Rock City
24.02.24 UK – Bournemouth / O2 Academy
25.02.24 UK – Bristol / O2 Academy
27.02.24 UK – Belfast / Limelight
28.02.24 UK – Dublin / Academy
29.02.24 UK – Cardiff / SU
01.03.24 UK – Birmingham / O2 Academy
02.03.24 UK – Oxford / O2 Academy
03.03.24 UK – Glasgow / O2 Academy
05.03.24 UK – Manchester / O2 Victoria Warehouse
06.03.24 UK – Liverpool / O2 Academy
07.03.24 UK – Leeds / O2 Academy
08.03.24 UK – Newcastle / NX
09.03.24 UK – London / O2 Forum Kentish Town

“Tour Of The Dead Marauder”
w/ Elvenking & Glyph
19.03.24 US – Cincinnati, OH / Bogart’s
20.03.24 US – Grand Rapids, MI / Elevation
22.03.24 CA – Toronto, ON / The Concert Hall
23.03.24 CA – Montreal, QC / MTELUS
24.03.24 US – New Haven, CT / Toad’s Place
26.03.24 US – Pittsburgh, PA / Stage AE
27.03.24 US – Detroit, MI / The Majestic
29.03.24 US – Milwaukee, WI / The Rave
30.03.24 US – Omaha, NE / The Admiral
02.04.24 CA – Winnipeg, MB / Park Theatre
03.04.24 CA – Saskatoon, SK / Coors Event Centre
05.04.24 CA – Edmonton, AB / Midway Music Hall
06.04.24 CA – Calgary, AB / The Palace Theatre
08.04.24 CA – Vancouver, BC / Commodore
09.04.23 US – Spokane, WA / Knitting Factory
10.04.24 US – Boise, ID / Knitting Factory
12.04.24 US – Sacramento, CA / Ace of Spades
13.04.24 US – Santa Ana, CA / The Observatory
15.04.24 US – Tucson, AZ / Rialto Theatre
16.04.24 US – Albuquerque, NM / Sunshine Theater
18.04.24 US – Oklahoma City, OK / Diamond
19.04.24 US – St. Louis, MO / Red Flag
20.04.24 US – Indianapolis, IN / Old National
21.04.24 US – Nashville, TN / Marathon

Festivals 2024
28.06.24 FI – Sulvilahti / Tuska
05.07.24 DE – Rock Harz / Ballenstedt
11.07.24 HU – Dunaújváros / Rockmaraton
12.07.24 CZ – Vizovice / Masters of Rock
13.07.24 AT – Area 53 / Leoben
14.07.24 NL – Pirate Metal Party / Helmond

About Author

J. Scott Holland

Scott is one of the newest additions to the Empire Extreme team of misfits. He is a printer by trade, who moves to the beat of his very own drum. He is also an avid cyclist and seeker of new music and bands,

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