Interviews
Interview with Misstiq
Hailing from Australia, Misstiq has been churning out her own bend of musical compositions of many famous deathcore songs. She has worked with hundreds of Deathcore bands, doing many different things, from adding synths, to collaborations, to complete rearrangements of songs. Misstiq caught my ear when she did a rendition of Fit for an Autopsy’s ‘Black Mammoth’. Her take on piano and synth to this song enhanced this audiophile’s experience. This track took on a new life, the feeling and emotion was deeper and enriched. Misstiq has become a staple in the deathcore community with her constant line of work. Her most recent collab can he heard with her work with the Australian band Deathbeds, who has her featured throughout their album. With the state of the world coming to a standstill in the wake of Covid-19, I reached out to Misstiq via email to find out more about her and her music.

GA: When did you start your love of music in general and learning how to play piano?
MISSTIQ: At a young age, I was dancing to Backstreet Boys, Aqua and VengaBoys cassettes as well as playing around with a toy keyboard at home. My parents then decided to sign me up for piano lessons at the age of 6. My love of music grew the most in my mid-teens as I started to discover myself and what I enjoyed listening to. At that point, I started to teach myself how to play songs by ear on the piano. I arranged my own piano versions of songs I liked and my love for music continued growing even more from that.
GA: How did you get into heavier music/ deathcore, what were some of the bands that got you into this style of music?
MISSTIQ: At first, it was Green Day, Blink-182, Avenged Sevenfold. This led to I Killed The Prom Queen, Parkway Drive, Thy Art is Murder… and here we are. I was exposed to rock bands from an early age as my Dad listens to that kind of stuff. So, I feel this may have played some part in my musical interests today. I was also in sync with what some of my friends listened to at school. We’d talk about a bunch of bands we found out about via MySpace and the internet in general.
GA: You are known for your rearrangements and collaborations with other artists, what would you say are some stand out pieces you have worked on?
MISSTIQ: There’s heaps of amazing people I’ve worked with. I’m working on some crazy collabs now and am so eager for these tracks to drop. I really enjoy working with Kris (from Vulvodynia). We put out a metal rendition of a Backstreet Boys song a few months ago. The process was super enjoyable, and we’re stoked with the final product. I love collaborating with like-minded people and he is a solid 10/10. We’re working on new stuff as we speak. I also worked with the band Deathbeds – they were amazing to work with. I am featured on their full album and it sounds killer.
GA: The band Deathbeds recently released the album ‘Sinner’, you are a co-collaborator on this album, what was your experience working on a full album as opposed to working on one song or a handful of songs for an artist?
MISSTIQ: I am so proud of Deathbeds! With longer projects like this, I need to be very organized with my timeline and progress of each track. When writing the additional keys and orchestral parts for each song, I had to be very mindful of keeping each track similar, yet different from one another… I must ensure that I maintain a similar vibe throughout each track but write slightly different motifs to give each track its unique character. Also, I feel that the band and I develop a personal connection which grows to a unique level seeing as we have to keep in touch throughout the entire process. Every one of the members in Deathbeds are genuinely friendly and passionate people, which is definitely the icing on the cake.
GA: Anyone who follows your Instagram knows you also teach. What got you into teaching, and what all subjects do you teach?
MISSTIQ: For almost 8 years now, I have been teaching piano as well as some singing. I teach at the same music school I learnt piano at, so that was a nice and easy transition into the job. My piano teacher suggested to me that I should take up teaching. I also got my Master’s degree in Teaching, with music being my main area.
I also do substitute teaching as it is very flexible. In that job, I teach any subject or age. The schools know me for being a music teacher, so I guess I am their first preference when it comes to needing a teacher to fill in for that subject.
GA: When you approach a new song for arrangements, what is your process to go about making these additions?
MISSTIQ: I have a little library of theoretical techniques and musical ideas in my head. When a band describes the mood they would like me to create in a song, I know which of these ideas I should try out. These ideas can be general — e.g. a particular chord progression or the tone of my instrument/s. Also, these ideas can be super specific — e.g. hitting two particular notes in a scale to emphasize an eerie mood.
I have a listen to the song once and imagine the finished track; how I want it to feel. I then go back to the start and hit record. I’ll play the rough ideas that come to mind then later tweak them so that they suit the piece to my and the band’s liking.
GA: What equipment are you currently using to make your compositions? If you have any endorsements, please mention, if not would there be any companies out there you would be interested in working with?
MISSTIQ: The current companies I use are Akai, ROLI, Roland and Korg. I have an association with ROLI, and it would definitely be nice to gain traction with other companies.
GA: Do you have any plans to write more original material?
MISSTIQ: Yes! If I wanted to release original music in say, 3 weeks from now, I could do that. However, I am enjoying the process of getting to know myself as a musician so that I can be satisfied with my original material 200%. I don’t want to feel like I need to rush things. In a way, I’m embracing the part of my life where I don’t have original music out. I have been gathering ideas on what I want my original music to sound like – something catchy that I would genuinely enjoy listening to myself. Right now, I’m also getting to know very skilled people in the music scene. Talking musically with them is very inspiring, and I feel this can help me in my writing process.
GA: If you could work with any artist to either do an original, or collaboration with who would it be and why?
MISSTIQ: Drake! This is far from the metal scene, I know, but it’s always a good time with a bit of Drake tunes. I enjoy his vibe and aesthetic. Whenever I listen to his stuff, for a little laugh I like to imagine how sick it would be to be on one of his tracks.
GA: You are known for being stylish as well, sporting many high-class clothing brands, from Louis Vuitton, to Gucci; what are some of your favorite designers?
MISSTIQ: Love this question. The first brand that comes to mind when we’re talking about looks is Versace. I love that baroque aesthetic. It’s very elegant and classy. My ‘goal designer brand item’ would have to be a Versace bathrobe.
GA: What would be some advice you would give out to a novice musician trying to expand their skills/playing?
MISSTIQ: Pace yourself with your learning and don’t rush things. If you know you suck at a certain technique, practice it over, slowly. Have patience. Go online and find tabs, sheet music or even watch YouTube tutorials for a song you like and play along with it to test your ability on keeping up with a strict tempo. Then, kick things back and put your own spin on it. Get to know what kind of ideas you like exploring on your instrument and put a short song together to work on your own creativity.
GA: You also have an online store where people can support you? Where can they go to purchase merchandise, and can you tell me more about your designs? I really like the Slam Queen design, who came up with the design for you?
MISSTIQ: I’m so happy with my merch and I’ll be releasing more very soon. My merch store is www.misstiq.bigcartel.com. The Slam Queen design is my all-time favorite. Scotty Bates put that together – he’s known to do really cool artwork for bands. I told Scotty I was after a powerful look, an eye roll, jewels, a UFO and some other things. He did an amazing job putting my vision together.
GA: In many ways the Coronavirus is affecting the world, from quarantine, to rationing everyday items, to even shutting down businesses. In what ways has the coronavirus impacted your daily routine and how are you getting through this tough time?
MISSTIQ: I have to teach piano and singing online from home instead of teaching students at the music school. I’m looking on the bright side and seeing this as an opportunity to strengthen my craft as a teacher. Because of COVID-19, I can’t substitute teach. However, I am grateful that my music service business as Misstiq is growing to provide me work instead of substitute teaching. Sucky time.
GA: What is next for Misstiq, any new projects coming down the pipeline?
MISSTIQ: A lot of collaborations are on the way with many well-known people in the music scene. Soon, I will be announcing info about a big solo release which I’ve been working on the past couple of weeks. New merch is also on the way.
GA: Anything you would like to add?
MISSTIQ: Thank you for this interview and support! Huge shoutout everyone giving my content a chance and tagging along on my journey.
Misstiq Facebook: https://www.facebook.com/misstiq666
Instagram: @ulaminati
Twitter: @misstiqmusicBig Cartel: http://www.misstiq.bigcartel.com/
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Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
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Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
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