Connect with us

Interviews

Interview with Robert Berry

Ron

Published

on

Robert Berry who’s career has been nothing less than spectacular working with the likes of Keith Emerson, Carl Palmer, Sammy Hagar among many more. Armed with a multi-instrumental way of life, Robert has been doing his thing for over 30 years now.

Empire Extreme got to talk to Robert about his past, present and future.

EE: Hows it going?

RB: A little rainy, but the sun is out so it’s not to bad.

EE: How was it like working with Hush?

RB: Those were a lot different times, we could play a club here like in Silicon Valley in the early 80s and bring in 500 people and make $2,500. Apartments were like 250$ a month and food and car payment. The band would play twice and week and after all the cuts for managers and stuff, 800$ a week in your pockets. You wasn’t getting rich but you could pay your bills and make a living just doing that. It’s crazy to think of the lifestyle back then compared to now that was only 20-30 years ago. What I worry about now the younger generation like my son, where the game has changed so much.

EE: How was it like to work with Emerson and Palmer on the 3 project?

RB: That was great to, because they were a huge arena band being in ELP. They both wanted to start something new and build from the ground up, that was great for me, we were playing 1,000 seat places and most people haven’t seen those 2 up close like that before. It was always sold out and rushing to get in. To see Keith and Carl get close to the Audience and shaking hands, going back to their roots and they treated me very well. They empowered me to just be myself and do what I love to do. The only problem was they wanted to play these smaller places but didn’t bring the smaller equipment. They had the huge amps and huge drum sets, and I was Squeezed in between them. We even had a grand piano on stage. We also played places like Madison Square Garden. We had a successful time for the short period it lasted a year and half, we had a #9 Record, we made a lot of money, it was really something. The real ELP fans didn’t want to give it a chance and wanted to bring Greg back. The Emerson fans were so critical of him, which unfortunately they were critical of him right before his Suicide. He didn’t do well with the criticism, he had surgery on his arm and couldn’t play up to par that he wanted to and it effected him emotionally, although he was still fantastic. I don’t know why people had to do that being with the fact he was so great and left such a great catalog of music.

EE: Hows was it like working on the 3.2 album after he passed away?

RB: That was difficult, while he was alive and working on it. It was easy to communicate with each other and work on stuff over the phone. We both work on parts and send each other digital stuff and when we wanted to work we could instead of just setting studio time. When I got the word from his ex wife that he was gone, I couldn’t believe it and we were having so much fun. We got works he had another surgery on his arm, and had some heart problems and he was depressed. The record company was really excited about this project.

EE: Did you feel satisfied with the album after it was finished?

RB: I didn’t know what I really had. I spent about 6 months not wanting to do after he died. I think we wrote 4 songs before he did. We had the ideas and the album laid out and the blueprints were done but only 20% of his stuff finished, I didn’t know what to do. I had an idea that his son Aaron would want to do other with me, that would be a good idea. I sent him a really hard song and he couldn’t play it, but it gave me the spark to want to play with myself. I knew what Keith wanted, and I know how he plays and I wanted to finish it but didn’t have any plans on releasing it. The record label really wanted to put it out, but I didn’t know what I had and if it was good or bad. So before we did that I checked with two people, the guy who runs the 3 Facebook page Rolf and he knows everything about the band 3 and know a lot of people that talk about it, I sent him some songs and he loved them and said I needed to put them out. Then I sent it to a girl in Scotland that knows Keith and she plays keyboards and would be a critic, and I sent her the whole album, and she replied “How did you do that?” With a big question mark. I feel like Keith was there. I let the record company release it.

EE: How was it like working with Sammy Hagar?

RB: In the mid 90s, Van Halen was planning on kicking Sammy out, and they didn’t want Sammy to use Michael Anthony on his solo shows. So Sammy asked me if I wanted to play bass for him and I said “Of Course”. Working with Sammy was amazing, everything he touched turns to gold. I just seen Sammy’s band The Circle last year, and when they do Van Halen songs, Jason Bonham puts on headphones and I’m playing the keys on the Van Halen stuff, even though I’m not on the stage it’s all done digitally.

EE: Is there anyone you haven’t worked with, that you would love to?

RB: I’d love to work with Jeff Beck. Jeff doesn’t know how to play the guitar… he is the guitar. I don’t know how he does it. He’s amazing. I would love to play with McCartney, he plays the bass and uses cords and notes that aren’t typical ones. The most important thing to me now is this Tour for 3.2, I’ve put a band together and playing my 30 years of my rock career. I’m just going to go out and do me, and play music and hope everyone enjoys it.

EE: Do you have any dates lined up yet for that?

RB: We have about 8 dates or so lined up in October on the East Coast. We haven’t posted anything yet, we want to wait and post them all at once. We do have one big one I can mention and that’s ProgStock.We are headlining the Saturday Night.

About Author

Interviews

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

Published

on

By

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

About Author

Continue Reading

Interviews

INTERVIEW WITH KURT DEIMER

Ron

Published

on

By

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

About Author

Continue Reading

Empire Interviews

Inferious—Interview

Published

on

Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




About Author

Continue Reading
Interviews1 day ago

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Concert Reviews2 weeks ago

BRISTOW VIRGINIA TOOK A TRIP ON THE WILD SIDE… SHOUTED AT THE DEVIL. AND ENJOYED THE GIRLS GIRLS GIRLS. 

Concert Reviews4 weeks ago

THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

Concert Reviews1 month ago

THE EX-FACES ROCKED THE REVERB STAGE

Concert Reviews2 months ago

ICP’s Dark Carnival Brings A Night of Faygo, Fireworks, and Family to Pittsburgh

PGH Pride in the Pit Logo
Concert Reviews2 months ago

PGH Pride in the Pit: A Celebration of Community, Music, and Alt-Queer Culture

Concert Reviews2 months ago

KITTIE 30 YEARS LATER STILL ROCKS BALTIMORE 

Concert Reviews2 months ago

Wicked Clowns Take Over The Steel City

Concert Reviews2 months ago

North American Duel Tour featuring Jinjer w Crystal Lake and Entheos

Concert Reviews2 months ago

COLD WAS BACK IN BALTIMORE BUT THE HEAT HAD OTHER PLANS 

Concert Reviews2 months ago

L.A. GUNS COME BACK TO MARYLAND AND ROCK THE CROWD ONCE AGAIN.

Concert Reviews3 months ago

THE NORWEGIAN WITCHES INVADE BALTIMORE 

Concert Reviews3 months ago

MARYLAND HAS GOT THE MOVES

Concert Reviews3 months ago

Infected Rain brings the fun back into Baltimore 

Interviews4 months ago

INTERVIEW WITH KURT DEIMER

Concert Reviews4 months ago

Resistor – Live Review

Inferious preform live at Preserving Underground April 2026 By Josh Drespling
Empire Interviews4 months ago

Inferious—Interview

Concert Reviews4 months ago

THE MAINE: I LOVE YOU BUT I CHOSE: PITTSBURGH SHOW REVIEW

Announcement/News4 months ago

M3 2026 Preview

Concert Reviews4 months ago

40 YEARS OF HELLOWEEN SILVER SPRING MD SHOW REVIEW 

Interview4 months ago

SUCKERS FOR PUNISHMENT TOUR HARRISBURG PA 

Concert Reviews4 months ago

THE ZENITH TOUR

Things You May Have Missed

%d bloggers like this: